Good Fiction Writing – Ten Tips for Creating Fascinating Short Stories

Maybe you have an idea for a short story and you are wondering what is the best way to start writing it. Or maybe you’ve written your own short story and are now looking for ways to revisit it for a more complex and interesting story. You can create fascinating prose with the following strategies and deepen your short fiction:

1) Start in action or movement., Or In the media, Which is Latin “in the midst of things.” Due to the short story space constraints, you want to add your reader right away. The movement draws us into the story faster than silence. For example, you might consider writing a story about a teenage boy who decides to return to a liquor store for the first time. Instead of introducing the character before entering the liquor store, why not have him already in the store, reach for his gun and deal with his own internal dispute over his first crime? In the revision, the actual process, when the main character and the controversy is first introduced, may not appear, let’s just say page 5, and the previous pages are full of background and ground situation. Try starting on page 5 and add background as soon as the story unfolds, making it part of the emerging process.

2) Include your agreement, or promise of a short story, in the first two paragraphs.. It provides readers with a context for what is emerging, and lets us know what the danger is for the main character. Here we are shown what the character wants, and we can feel the events that are unfolding, regardless of whether he achieves his desires or not. This character will change by the end.

3) Use as many specific, solid details as possible. Specific details resonate with readers more than loud statements. Extensive brush or abstract statements come from melodramatic. Really ground them with special and solid details. This makes for a more empirical study of your short story.

4) Show. And To tell We are all familiar with the adage, “Don’t show off”, but it is impossible to eliminate all “telling” from the story, especially in short fiction, where we have limited narrative space. Summarizing events is necessary to cover an extended period of time or to describe recurring events that bring the current context of the story into context. The trick is to make your point as shown by using specific details that make the story dramatic. For example, let’s look at a section Klimanjaro snowfall. To see how Hemingway hides his point in a very specific and solid detail:

By not using his abilities, by deceiving himself, and by drinking too much of what he believed in, he destroyed the edges of his imagination with laziness, sloth and rudeness, arrogance and Ended by prejudice. By Hook and Crook. (60)

Narrative is full of stories, but what is masked by telling is “drinking too much”, a simple phrase that fills in the blanks and bases all abstract statements on real, solid terms.

5) Use an inner monologue to create more depth for your character.. When you don’t want to come out and express your character’s feelings clearly, such as “she felt sad” or “she was happy”, you can use your character’s impressions to show her emotional complexity. Can express decisions and reflections. Looking back at Hemingway’s quote, note how the character reflects and concludes that he lost his abilities through alcoholism. Without really expressing emotion, Hemingway was able to express the depth of the character’s remorse and embarrassment.

6) Create tension by interfering with the character’s desires.. This is the centerpiece of your short story emerging action. Your character wants something (what is the risk?) And conflict arises in trying to achieve that desired result. Tensions arise when we see the character struggling with these obstacles.

7) Let your characters be weak and flawed.. Stop protecting them. They are more interesting when they make mistakes, say the wrong things or get into trouble. It is their weaknesses and flaws that make your short story characters human and empathetic to your readers. It’s also part of creating character arcs. Sometimes the obstacles to the character’s desires come from the character itself, and it is in overcoming these obstacles (or not) that it changes.

8) Insert your flashbacks (past as scenes) with strategy. In short story. Flashbacks disrupt the present moment, and can slow down the pace of your short story, especially during a critical emotional moment. If the flashback is extensive, try to use it in a stand-alone scene, and use a simple, unsteady time marker (such as “three months ago” or “last spring”) to see your reader. If the flashback is short, consider inserting it fairly well into the previous scene, beforehand, so that your character can experience the emotional moment in the current action without interruption. Readers will have a flashback when your character takes action.

9) In flashback and summary of the past in your short story present the current process.. In other words, the past should provide a context for your character’s actions or beliefs in the present moment.

10) Stay in the emotional moment. Authors sometimes find it difficult to be there during an important emotional moment. It can feel uncomfortable. And sometimes, we feel it is not enough to tell it well, so we have a lot more development and detail in the short story narrative before and after the emotional moments, but when we have such an important moment. As you can see, the readers seem to have passed away quickly or don’t even remember it at all. Worse, the end will feel unattainable. Lying down in an emotional moment can mean deepening the character’s thinking. Try mining for thought behind thinking. Or, if your character doesn’t look too much inside you, you can still increase the character’s sensory details (smell, sight, hearing) or his physicality (how the body feels or what it is doing). Doing so can make the moment emotionally important. ).

Incorporating these crafting points into your writing will go a long way in creating a more visual reading experience, a more reliable arc of change, and a more meaningful connection between character and action. You will be well on your way to writing an interesting and compelling short story.

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